Work for a Member organization and need a Member Portal account? Register here with your official email address.
Blanchard, L., Naseck, P., Liang, K., Tan, J., Lei, H., Huang, C.-Z. A., & Paradiso, J. (2026). Enhancing Expressive Musical Conversation in the jam_bot. Proceedings of the International Conference on New Interfaces for Musical Expression, 621--626. https://doi.org/10.5281/zenodo.20784228
Stephen Brade, Teng Ma, Lancelot Blanchard, Kimaya Lecamwasam, Carlos Mariano Salcedo, Suwan Kim, Perry Naseck, Andrew Li, Matthew R Michalek, Sebastian Franjou, and Anna Huang. 2026. Agents in Concert: A Case-Study of Bringing AI to the Stage in Practice. In Proceedings of the 31st International Conference on Intelligent User Interfaces (IUI '26). Association for Computing Machinery, New York, NY
Perry Naseck, Lancelot Blanchard, Madhav Lavakare, Kimaya Lecamwasam, and Joseph A. Paradiso. 2025. Physical Manifestation of Generative AI Music Systems for Live Performance. In Proceedings of the SIGGRAPH Asia 2025 Art Papers (SA Art Papers '25). Association for Computing Machinery, New York, NY, USA, Article 28, 1–6. https://doi.org/10.1145/3757369.3767613
Briët, Kayla. Return Paths: Tracing the Sound of Black, Asian, and Indigenous Technologies. Master’s Thesis, Massachusetts Institute of Technology, Media Lab, 2025.
Perry Naseck, Brian D. Mayton, Lancelot Blanchard, and Joseph A. Paradiso. 2025. Generic Pan Tilt: Open Source Motion Control Platform for Entertainment and Research. In Adjunct Proceedings of the 38th Annual ACM Symposium on User Interface Software and Technology (UIST Adjunct '25). Association for Computing Machinery, New York, NY, USA, Article 37, 1–3. https://doi.org/10.1145/3746058.3758998
Lancelot Blanchard, Perry Naseck, Stephen Brade, Kimaya Lecamwasam, Jordan Rudess, Cheng-Zhi Anna Huang, & Joseph Paradiso. (2025). The jam_bot, a Real-Time System for Collaborative Free Improvisation with Music Language Models. Proceedings of the 26th International Society for Music Information Retrieval Conference, 755–762. https://doi.org/10.5281/zenodo.17811478
Schon, Ana. 2025. “Performing Performance Spaces: Expressing Context in Live Music.” Master’s Thesis, Massachusetts Institute of Technology, Program in Media Arts and Sciences.
Blanchard, Lancelot*, Perry Naseck*, Eran Egozy, and Joseph A. Paradiso. 2024. “Developing Symbiotic Virtuosity: AI-Augmented Musical Instruments and Their Use in Live Music Performances.” An MIT Exploration of Generative AI, September. https://doi.org/10.21428/e4baedd9.69c11de7.
Image2Reverb: Cross-Modal Reverb Impulse Response Synthesis. Nikhil Singh, Jeff Mentch, Jerry Ng, Matthew Beveridge, Iddo Drori; Proceedings of the IEEE/CVF International Conference on Computer Vision (ICCV), 2021, pp. 286-295
Su, D. (2019). Massively Multiplayer Operas: Interactive Systems for Collaborative Musical Narrative. Massachusetts Institute of Technology.
Su, D., Picard, R., Liu, Y. "AMAI: Adaptive Music for Affect Improvement." Proceedings of the 44th International Computer Music Conference (ICMC), Daegu, Korea, August 2018.
Cherston, Juliana, et al. "Sonification platform for interaction with real-time particle collision data from the atlas detector." Proceedings of the 2016 CHI Conference Extended Abstracts on Human Factors in Computing Systems. ACM, 2016.
Fragile Instruments: Constructing Destructible Musical Interfaces. Don Derek Haddad, Xiao Xiao, Tod Machover, Joe Paradiso, to appear in NIME17.
Wicaksono, I and Paradiso, J.A."FabricKeyboard: Multimodal Textile Sensate Media as an Expressive and Deformable Musical Interface ", New Interfaces for Musical Expression (NIME) May 15-19, 2017. Aalborg University Copenhagen, Denmark.
Peter Alexander Torpey and Elena Naomi Jessop. 2009. Disembodied performance. CHI '09 Extended Abstracts on Human Factors in Computing Systems. Association for Computing Machinery, New York, NY, USA, 3685–3690. DOI:https://doi.org/10.1145/1520340.1520555